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Conversation with Frau Ingeborg Schauberger
Frau Schauberger is the widow of Walter, Viktor Schauberger’s son. She still lives in the family home in Bad Ischl, upper Austria. Each time I saw her she was wearing the traditional Austrian clothes, the close fitting tailored jacket and a dirndl skirt. Although she is less than five feet tall, she has a powerful presence and shows a sharp intelligence. She speaks some English, more than my German, so our conversation was mainly in English. She was concerned that she would not be able to express herself well in English, so at each meeting we had an interpreter sitting with us. At the time of our conversation, she was 89 years old.
____________________________
Thank
you for agreeing to talk to me about your memories of Viktor
Schauberger.
"Goethe
talked about the difference between poetry and reality. A large poem can
come from a small core of reality. I want to tell the reality about
Viktor Schauberger as I remember him. There are not many people alive
now who knew the real Viktor Schauberger. I
only knew Viktor for a short time, from 1952 until he died in 1958. I
did not spend a lot of time with Viktor. Walter and I lived in Bad
Ischl, and he lived in Linz. He
was one of the special men of the twentieth century. But by the time I
knew him, he was disappointed about many things. It was always the same,
all his life. His ideas always fascinated people, but few people could
put it into practice.
The
Schauberger family has a long tradition of working in the woods. Do any
family members do this work still now? Viktor
was the last. He had grown up north of Linz, in an area of original
woodland even now. This is rare in Austria these days. He was a soldier
for four years in the first world war. He fought in Russia, Italy,
Serbia and France, and was wounded. After the war, he worked in the wild
woodland until 1924, then his forestry work was finished. After he built
the logging flume (his first invention, which brought him to the
attention of a wider audience), he was invited to work in Vienna. He was
the last one in his family to work in the woods.
Now nobody does that work. There is no hunting, nobody works in
the wild woodland. What did
Walter and Viktor talk about? Walter
said, 'Help Nature, help the trees. We have to have many more trees, more
woodland. The first task for the woodland is to bring the water into
existence. What can we do for Nature, what can we do for the woods, and
what can we do for the
woods and the water together?' He always talked about this. This
was a time of industrial growth, the time of the German postwar economic
miracle.
Everything had to be bigger and better. These two men, Viktor and
Walter, said it is not good to always have bigger and bigger. They said
you have to look, where is the concentration, the essence, what is
important for the whole of life. For Viktor and Walter, this was the
important thing. How they could put this idea across so that people
could understand it. What
did Viktor talk about? Viktor
Schauberger always said, 'Think about Nature. Nature has to have a long
time to grow. So natural things do not happen immediately.' He
used to say to Walter, 'Now, everything is more expensive than water. But
you will see, the next war will be about oil. And even more than oil,
about water.' He
always said, ‘CAN’T YOU SEE IT? Can’t you see the water climbing
up in the trees, 30 metres or more? There is no pump in the Earth!
Nature works silently, without heat or pollution. In industry there is
always noise and heat and pollution.’ He
said that with the way industrial society has built up, now we are up to
our necks in problems, we are drowning in difficulty. What can we do to
get humanity back to the right way? He said, 'Who will speak for the
water? For the Earth?' Nowadays, things are a little better than in
Viktor’s and Walter’s time. The times are turning towards Viktor
Schauberger’s way of thinking. Viktor
wanted to provoke people, to make them think. He would say to the
engineers and professors, 'You don’t know. You can’t even tell me how
a blade of grass grows. And if you can’t tell me that, then what about
the trees?' Then he would put on his hat and leave. He
was a compelling speaker. When he spoke, everybody listened to him, and
they understood what he meant. But when they went away and tried to
remember it, the influence diminished. They remembered the feeling, not
the understanding. They didn’t remember what they had understood when
they were in his presence. It was as if a connection had been cut. He
had a group of devoted supporters, who loved to listen to him speak.
Afterwards, they would say, 'That was excellent!' But when he asked them
what they had understood, their jaws dropped and they said nothing. My
father-in-law was an impatient man. Sometimes he was angry and frustrated that his
life was too short for him to put across all his ideas and the whole of
his vision. He said, ‘Can’t you understand me?’ Looking back, I
can see that he was unhappy. He spoke and spoke and spoke, and nobody
seemed to hear him. It was like talking into thin air. And many of the
people who did listen to him, they wanted immediate answers. For Viktor
and Walter, the understanding of Nature came first. The machines came
much later. For
Viktor, his life’s work was to speak to everybody, to make people think.
He knew he had to put across the whole of his vision before he died. By
the time I knew him, I think he could feel his approaching death. This
gave him an extra sense of urgency. He had a very clear vision of what
was needed. For him, it was simple. So he was very impatient when people
did not understand. I
think now that he began to have doubts towards the end of his life. He
began to wonder if he had achieved anything at all. His ideas were so
simple and evident to him, but nobody else seemed able to grasp them. The
tragedy of Viktor Schauberger was that he was unable to communicate what
was so clear to him. He knew that people did not understand, but he
never asked if the reason for this was with him. It was always everyone
else who was at fault. Another
problem was that he did not trust people. He made everything himself,
because he did not trust other people to get it right. I think he was
afraid that people would take his ideas and use them wrongly, either
through ignorance or intent. His work was so unconventional, so
extraordinary, that some people thought it was trickery. This was not
helpful. Viktor
and Walter thought the same things. Why did they disagree? They
had the same idea, but father said, 'Sorry, it’s my idea!' He was often
angry with Walter. There was a lot of difficulty between the father and
son. Viktor always said, ‘Be quiet, you don’t understand what I
mean!’ Viktor
came from intuition. His three older brothers all had an academic
education, and were distinguished men. But Viktor did not trust the
thinking of people who had studied academically. Viktor believed that a
person’s thinking is spoilt by academic training. Academic training
prevents people from appreciating the ways of Nature. Walter
had studied Engineering at the Technical University. Viktor did not like to share his ideas
with him. He was afraid that Walter would explain his ideas incorrectly,
that he would say things Viktor could not accept. One
day, father came to Ischl. He and I had a discussion. I said, 'Father, it is not so. Walter knows these things too.' Viktor asked me,
'Do
you support Walter?' I said 'Yes, I stand by him in what he does, and I
know that Walter also has an intuitive understanding of the ways of
Nature.' Viktor reluctantly accepted this, and after that he never said
another word against Walter. They worked well together in the end, in
the last two or three years of Viktor’s life. In
the end, Viktor said to Walter, ‘I think it is good that you studied
academically. You can speak with the academics, the engineers in their
language.' Because nobody understood Viktor’s language. They were
reconciled, and this made Walter very happy. After that he was more
settled. Walter
respected his father and his ideas. Walter would translate his
father’s ideas in a way that people could understand. Walter was
intuitive too. He was the sort of man who could see that a woman was
pregnant before she knew it herself! He could bridge the two worlds –
he was intuitive and academically fluent. Viktor also bridged two
worlds, from that of the old knowledge from his own father to the
present. Viktor was a hundred years before his time. And
then there was the American episode. We
don’t know the exact background of the American adventure. Nobody
knows exactly what happened, and many people speculate about it.
In 1958 two men, two Americans came here. They promised Viktor
mountains of gold. They said, 'Anything you want, Viktor, you can have.
It will be possible to bring it all with you. Come with us to Texas.'
Viktor understood no English, and Walter only spoke basic English. He
was only interested in the language of Mathematics and Physics. There
was a translator, a naturalised German-American. He said to me, 'No word.
Don’t talk about this to anyone. We are watching you. First
they went to New York. There was an official welcome. ‘What luck for
America, what luck for you,’ they said. They spent three or four days
in New York then flew to Dallas. Then they drove out into the desert.
They were provided with a bungalow in the desert. And so Viktor and
Walter asked, 'When can we begin to work?' 'You must have time to
acclimatise,' they said. But there was no work, no target. Walter did not
know why they were there. They always had the feeling that they were
being controlled. Viktor
became ill and went into the hospital. They did everything possible,
anything he wanted, first class treatment. But nobody in the USA told
the family in Austria that Viktor was ill. We didn’t know he was ill. He
wanted to come back home. They said, 'If you want to return to Europe,
you must sign this document.' He had to promise not to speak about his
ideas. If he had any new ideas, he was not allowed to speak to anybody
about them. Only to the Americans. He was forced to sign this document.
Five days after his return, he died. Before he died, he always said 'I
can’t say anything. They have taken my words. After
Viktor’s death, an American came and apologised to Walter for the way
they had been treated. But he couldn’t explain why it had happened,
either. Later, other Americans came, five or six of them at different
times. They all said, 'You will have to excuse the treatment you had. Not
all Americans are so bad.' But Walter had nothing to do with Americans
after that. Tell
me about PKS (Pythagoras-Kepler School). Walter
started the PKS. He felt that his life’s work was to explain the
principles behind Viktor’s system. Walter studied Kepler’s ideas
very intensively, and saw the correspondences with Viktor’s intuitive
knowings. He looked for a mathematical explanation of Viktor’s system.
Kepler’s work with the movement of the planets was a good starting
point. And
Pythagoras? Pythagoras
is almost too far back in the past, but what he learnt in Egypt also has
resonances with Viktor’s ideas. Pythagoras was the grandfather, Kepler
was the father and Viktor was the son. Each picked up the baton from his
predecessor and passed it on. With each of them the expression is
different, but the core principles are the same. Joerg (her son): Pythagoras and Kepler were both heroes for my father, as they brought the idea of Harmonics into Physics and Astronomy. They led my father to his Natural Tone Law - Natur-Ton-Gesetz - with hyperbolic cones and the hyperbolic spiral as manifestation of harmonics in evolution. That is why the PKS symbol is a hyperbolic spiral. I
know about Viktor Schauberger’s ideas from reading Olof
Alexandersson’s book, and Callum Coats’ translations of his
writings. So his message is reaching out to people now. Olof
Alexandersson came here in 1959. He was the first outsider to make
connection with Walter. I don’t know where the connection came from.
He came here six or seven times, and they kept in contact. He was a great help for us, and still
is. Everybody who read his book said, oh, what a man Viktor was! Olof
and Walter had an academic relationship. With me, it was a personal
friendship. Callum
Coats first came to Bad Ischl one year after Viktor died, with his
mother. His mother knew Richard St Barbe Baker, and he introduced her to
the Schauberger family. I remember when Callum came. He stepped into the
PKS office and saw the spirals drawn on the walls. At that moment, a big
door opened for him. It was a life-changing moment. The memory of those
spirals stayed with him. Later, he came back and worked here. Callum
is a dear friend of mine. I think that wherever Viktor is, he is very
pleased with Callum.
Jane
Cobbald Bad Ischl, Austria, June 2004.
Frau Schauberger and the author (photographs on this page courtesy of Susanne Prock)
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